I have been working recently on a collaborative project
researching a local Native American tribe, the Amah Mutsun. Our aim was to gain
insights into the impacts of the tribes’ relationship with nature on their
cultural identity. I personally struggled with the significance of the project.
I knew that Native Americans had been historically mistreated by various
invading forces, stripped of their lands, denied the right to practice their
tribal customs, and in some cases subjected to near total genocide. But I just
did not get how any of that was relevant now. Hadn’t all the Natives been fully
assimilated into our melting pot society? Hadn’t we all become an amalgamation of
ethnicities, various religious beliefs, and for heaven’s sake- I knew we had
all agreed that we had to care for the Earth. If you think my attitude sounded a
bit ethnocentric, you’re right. Ethnographic exploration often reveals the
hidden biases and ignorance of the researcher, and this was no exception. How,
you may ask, did I come to this deep personal insight into my own arrogance? I
was humbled by a hummingbird.
One afternoon I was sitting on my back porch congratulating
myself for successfully foisting the boring historical parts of our project off
on my fellow researchers. They could spend hours in the library reading about
all that stuff we learned in grade school. All I wanted to do was see some cool
tribal dances, snap some photos, and chat with some “real Indians.” I had
recently discovered that the hummingbird was the symbol for our subject tribe
and was trying to come up with some way to make all of that boring history
somehow interesting by spinning it in a magical totem animal theme. So there I sat with my laptop, conjuring up
idealized Indian medicine men adorned in hummingbird regalia. I was not having
much luck because every time I tried to create a hummingbird man I broke out
into a hysterical fit of laughter. I just couldn't seem to take this seriously.
So I took a break and researched hummingbirds in general thinking that would
somehow stimulate the creative process. What I learned did not take on
significance until later in the project. Hummingbirds are not supposed to be
able to fly. Yet they defy gravity by hovering and even fly backwards. About
then a hummingbird buzzed into my backyard, hovered directly in front of me,
and then flew off.
Like the hummingbird,
the Amah Mutsun are small. Currently there are only around 600 members. They have yet to be recognized by the federal
government as a “legitimate Indian tribe,” which means that they have no official
rights or authority in the eyes of the government beyond that of any other U.S citizen.
They may not make any claims on ancestral lands, or even have any say in how
those lands are managed. Yet they have created partnerships with the UC Santa
Cruz arboretum in the form of a Relearning Garden aimed at reintroducing and
cataloging the nutritional and medicinal properties of Native plants. They are
working with anthropologists at Ano Nuevo State Park studying the role of fire
in Native land management techniques. These small hummingbird people have even
convinced the National Park System to grant them exclusive access to an area of
the Pinnacles National Monument where culturally
significant Native grasses are growing.
At this point in the project, I began to get an inkling that
perhaps these Natives possessed some historical knowledge that was relevant to
modern life. But it was not until I discovered
that not long ago our own land management technique had been to simply
throw a fence around an area and let it grow. This resulted in catastrophic forest
fires that sterilized the soil. And that it was the traditional Native land management
techniques, like controlled burning, that improved our land management policies. Slowly, it dawned on me that I had been arrogant, and misinformed, about the significance of Native history in modern times.
I did not get to
see any tribal dances with medicine men dressed up like hummingbirds.
But I did
see “real Indians” defy gravity.
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